Tom Buckard, APSA  


Bonaire’s White Slave Huts by Tom Buckard, APSA

October 2026 - Bonaire’s White Slave Huts

October 2026 - Tom Buckard, APSA

Original

About the Image(s)

Standing quietly along Bonaire’s southern coast, these small coral-stone structures at Witte Pan are among the island’s historic slave huts.

Built around 1850, the tiny huts served as sleeping quarters for enslaved people who were forced to work in Bonaire’s salt industry. Measuring only about 5 feet by 6.5 feet, their cramped dimensions offer a sobering reminder of the harsh and inhumane conditions endured by the people who lived and worked here. There are 170 of these huts in Bonaire and four to six people would live in each one.

The Witte Pan huts are distinguished by their whitewashed walls and dark roofs. Farther south, another group of historic huts can be found near the Red/Orange salt pan.

This photograph was taken at Witte Pan, with the Caribbean Sea stretching out behind the hut. Located along EEG Boulevard, roughly eight miles south of Kralendijk, the site lies among Bonaire’s historic salt pans and stands as a tangible reminder of a difficult and important chapter in the island’s history.

The image on the right is the mountains of salt that is taken from the sea.

Images taken with a Nikon D850, 24-70mm Nikkor Lens, Focal Length 34 mm, ISO-100, 1/400, F10.


9 comments posted




Mike Patterson   Mike Patterson
It's hard to imagine such a beautiful setting for such a horrible story. The white clouds in the deep blue sky seem to sit atop the lovely sea. You captured a nice image of the hut and everything looks perfectly exposed and sharp. To me, however, the image looks like something I'd take to remember a trip, rather than anything particularly eye-catching. I'm wondering if there had been different angles, focal points, etc. to take it beyond a nice vacation shot to something more dramatic. Maybe not since it doesn't look like you had many options. Just saying this for future reference.   Posted: 10/01/2026 13:51:28
Tom Buckard   Tom Buckard
Mike, I have to agree with you. To me it looks like a postcard shot. I did get a few others. A young lady in a white dress was there and I talked her into posing behind one of the huts. Still not a winner...   Posted: 10/01/2026 14:03:24
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Mike Patterson   Mike Patterson
Nice idea but the juxtaposition of a pretty woman through the window of a former slave quarters is a bit troubling! Nevertheless, you nailed the concept of capturing an interesting image.   Posted: 10/01/2026 14:09:43



Michele Borgarelli   Michele Borgarelli
Tom,

Actually, I don't think this is a "postcard" image. If you look at the work of some of the great photographers, they often captured everyday objects or landscapes to tell stories. The challenge, in my view, is telling a story through a single picture. It may happen only once in a lifetime that we capture the perfect, unique image.

Over the last few months, I have started looking at my images and trying to organize them into projects that can tell a story. Indeed, your two images would be a good starting point, particularly when you know the story behind this building.

On the other hand, the picture with the woman in the frame looks to me like one of those images people post on Instagram or Facebook (I assume so, since I don't use either of them), and it is not particularly appealing to me.

Just my two cents.

Best wishes,

Michele

P.S. I love postcards and still have many of them stored in a box. I think they were a wonderful way to send greetings to people we care about.   Posted: 10/12/2026 15:57:06



Spring Zhang   Spring Zhang
It's hard to imagine such a beautiful setting with a sad story behind it. It was a beautiful day. I have an interest in B/W minimalism. I wonder how the image would look like you shot this scene from a distance and have this hut as a small anchor point in a vast landscape and convert it to B/W.   Posted: 10/13/2026 23:25:10



Dennis Lee   Dennis Lee
Hi Tom, this is a striking image of a historic salt house along the Bonaire coastline. The house acts as a visual anchor, while the upward tapering roof lines lead the eye towards the dramatic cumulus clouds. There is good depth and layering of the coral sand foreground, the architectural midground and the turquoise sea meeting the azure sky for background. The highlights are well-maintained and not blown out.

I only have a couple of minor nits to further enhance the image. It looks like there is a subtle tilt in the horizon line. Also bringing down the highlights on the clouds and lifting the shadow details in the small gable window may also further refine the image. I've attached an image with my minor edits.

I was unaware of this location and its tragic history. It's unthinkable that such a beautiful location has such a dark history. Your photo essay encouraged me to do some research online. I found this page that goes into the history of these huts and the harsh conditions of the enslaved dwellers. https://bonaire.com/en/sightseeing/slave-huts-saltpans/

  Posted: 10/15/2026 16:24:36
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Tom Buckard   Tom Buckard
Dennis, thank you so much for your constructive comments, You were absolutely right about my horizon being off. It was off 4 or 5 degrees and I didn't even notice it. Also the clouds and shadow edits were a positive addition. Thank you, thank you.   Posted: 10/15/2026 23:07:02



John Zhu   John Zhu
The image succeeds through color contrast, architectural simplicity, and the relationship between the house and the sky. It seems the sky and foreground compete with the house for attention.   Posted: 10/19/2026 23:26:17



Nigel Dalton   Nigel Dalton
I agree with the horizon being off and Dennis's tweak to the clouds adds a great deal. As you are just really looking at a couple of blank white walls, despite the story, I find it uninteresting so I would, as Spring mentioned, open up the scene and make the hut part of it rather than the focal point. Personally though I would leave it in colour as there are some beautiful shades there.   Posted: 10/20/2026 10:14:42



 

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